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Best ink for moku hanga12/28/2023 ![]() Handmade from 90% gampi fibre with 10% alpha cellulose, acid free, 4 deckle edges. Also suitable for all printmaking including block printing and sumi ink. Often used in restoration and bookbinding because of its strength. Available as single sheets or in packs of 25.Īwagami Kitakata editioning paper, 43x52cm, 36gsm, comes in a creamy off-white colour (natural) and green, silky texture. Manufactured from 100% alpha cellulose unsized fibre. Unsized. ![]() ![]() Particularly suitable for lino and wood block prints. Long recognised by printmakers as one of the most versatile of Japanese washi papers. Available as single sheets or in packs of 25.Īwagami Hosho Select editioning 43x52cm, 80gsm. Manufactured from 70% bamboo with 30% recycled Kozo fibre it is acid-free with a pH level of 5-6. Unsized. It’s soft surface makes it ideal for intaglio, letterpress and block printing. Available as single sheets or in packs of 25.Īwagami Bamboo editioning paper 43x52cm, 250gsm. Its strong and resilient surface lends unique textural depth to art works created upon it. Unsized. Manufactured from 45% Kozo and 55% cotton fibre, acid-free with a pH level of 7-8. ![]() Available as single sheets or in packs of 25.Īwagami Hakuho editioning paper 43x52cm, 220gsm. Available as single sheets or in packs of 25.Īwagami Shiramine editioning paper 43x52cm, 110gsm. Unsized. Manufactured from 75% alpha cellulose and 25% Kozo fibre, acid-free with a pH level of 6-7. Unsized. The papers below are suitable for both baren and press printing.Ĭolours of papers are consistent within batches (packs of 25), but may vary a little between batches/packs.Īwagami Okawara editioning paper 43x52cm, 51gsm, warm natural colour, with a subtle surface texture. Paper that is too thin will not hold much ink. Paper that is too thick cannot be hand printed with a baren, but is good for printing in a press with Western techniques. Mokuhanga printing needs sized paper that is neither too thick nor too thin. (But for the most part, it is best to assume these papers are unsized because many Mokuhanga artists size their own washi according to their needs and climate.) Machine-made washi may be sized or unsized. Sizing is noted where known. Japanese washi papers which are handmade are usually unsized. (Some can be used for monoprinting and etching as well, but you’d need to experiment first.) There is a certain amount of subjectivity when choosing carving tools because everyone's hand is a little different so what's comfortable for one person might not be for another person.Japanese washi papers are suitable for mokuhanga, relief, letterpress and screenprinting. Josei Moku Hanga To: I think these are the best tools available for the price. My favorites are the versatile 6.0 mm "V" gouge and the big 10.5 mm "U" gouge for clearing large areas of wood or lino. My favorites are the 6.0 mm and 9.0 mm "U" tools. I prefer the "U" gouges over the "V" gouges. Power Grip : you can get a nice set of Power Grip tools for between $20-$50. One downside of this tool is that it's best used on linoleum and soft "rubber" carving blocks (like Speedy Carve and MOO Carve), not wood. I find the small "V" gouge indispensable. Speedball Linoleum Cutter: While some printmakers might consider this mearly a beginner's tool, I love it and use it all the time when carving linoleum. It includes a Speedball Linoleum Cutter, a couple Power Grip "U" gouges and numerous Josei Moku Hanga To tools of different sizes. My preferred set of tools is an assortment of different brands that balance cost and quality.
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